Intro -- CONTENTS -- Acknowledgments -- Abbreviations -- A Note on Editions -- A Note on Translations -- Introduction All That Is Solid Melts into Ink -- 1 German Jews and the Writing of Modern Life -- 2 Karl Kraus and the Jewish Self-Hatred Question -- 3 Mirror-Man -- 4 Messianic Journalism? Benjamin and Scholem Read Die Fackel -- Conclusion The Afterlife of Anti-Journalism -- Notes -- Bibliography -- Index.

In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus's spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. The Anti-Journalist overturns this view with unprecedented force and sophistication, showing how Kraus's criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus's modernist journalistic style. Paul Reitter's study of Kraus's writings situates them in the context of fin-de-siècle German-Jewish intellectual society. He argues that rather than stemming from anti-Semitism, Kraus's attacks constituted an innovative critique of mainstream German-Jewish strategies for assimilation. Marshalling three of the most daring German-Jewish authors-Kafka, Scholem, and Benjamin-Reitter explains their admiration for Kraus's project and demonstrates his influence on their own notions of cultural authenticity.   The Anti-Journalist is at once a new interpretation of a fascinating modernist oeuvre and a heady exploration of an important stage in the history of German-Jewish thinking about identity.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.