Radical Affections : Essays on the Poetics of Outside.

By: Nichols, MiriamMaterial type: TextTextSeries: Modern and Contemporary Poetics SerPublisher: Tuscaloosa : University of Alabama Press, 2011Copyright date: ©2011Edition: 2nd edDescription: 1 online resource (368 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780817384418Subject(s): Experimental poetry - 20th century - History and criticism - Theory, etcGenre/Form: Electronic books.Additional physical formats: Print version:: Radical Affections : Essays on the Poetics of OutsideDDC classification: 811/.540932 LOC classification: PS325Online resources: Click to View
Contents:
Intro -- Contents -- Acknowledgments -- Abbreviations -- 1. Introduction: How to Walk on the Slippery Earth -- 2. Charles Olson: Architect of Place -- 3. Robert Creeley: Occasional Verse -- 4. Robert Duncan: Master of Rime -- 5. Jack Spicer: Castle of Skin and Glass -- 6. Robin Blaser: The Practice of Outside -- 7. Susan Howe: A Special View of History -- Afterword -- Permissions -- Notes -- Works Cited -- Index.
Summary: In 1950 the poet Charles Olson published his influential essay "Projective Verse" in which he proposed a poetry of "open field" composition-to replace traditional closed poetic forms with improvised forms that would reflect exactly the content of the poem.   The poets and poetry that have followed in the wake of the "projectivist" movement-the Black Mountain group, the New York School, the San Francisco Renaissance, and the Language poets-have since been studied at length. But more often than not they have been studied through the lens of continental theory with the effect that these highly propositional, pragmatic, and adaptable forms of verse were interpreted in very cramped, polemical ways.   Radical Affections is a study of six poets central to the New American poetry-Charles Olson, Robert Creeley, Robert Duncan, Jack Spicer, Robin Blaser, and Susan Howe-with an eye both toward challenging the theoretical lenses through which they have been viewed and to opening up this counter tradition to contemporary practice.   Miriam Nichols highlights many of the impulses original to the thinking and methods of each poet: appeals to perceptual experience, spontaneity, renewed relationships with nature, engaging the felt world-what Nichols terms a "poetics of outside"-focusing squarely on experiences beyond the self-regarding self. As Nichols states, these poets may well "represent the last moment in recent cultural history when a serious poet could write from perception or pursue a visionary poetics without irony or quotation marks and expect serious intellectual attention.".
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Intro -- Contents -- Acknowledgments -- Abbreviations -- 1. Introduction: How to Walk on the Slippery Earth -- 2. Charles Olson: Architect of Place -- 3. Robert Creeley: Occasional Verse -- 4. Robert Duncan: Master of Rime -- 5. Jack Spicer: Castle of Skin and Glass -- 6. Robin Blaser: The Practice of Outside -- 7. Susan Howe: A Special View of History -- Afterword -- Permissions -- Notes -- Works Cited -- Index.

In 1950 the poet Charles Olson published his influential essay "Projective Verse" in which he proposed a poetry of "open field" composition-to replace traditional closed poetic forms with improvised forms that would reflect exactly the content of the poem.   The poets and poetry that have followed in the wake of the "projectivist" movement-the Black Mountain group, the New York School, the San Francisco Renaissance, and the Language poets-have since been studied at length. But more often than not they have been studied through the lens of continental theory with the effect that these highly propositional, pragmatic, and adaptable forms of verse were interpreted in very cramped, polemical ways.   Radical Affections is a study of six poets central to the New American poetry-Charles Olson, Robert Creeley, Robert Duncan, Jack Spicer, Robin Blaser, and Susan Howe-with an eye both toward challenging the theoretical lenses through which they have been viewed and to opening up this counter tradition to contemporary practice.   Miriam Nichols highlights many of the impulses original to the thinking and methods of each poet: appeals to perceptual experience, spontaneity, renewed relationships with nature, engaging the felt world-what Nichols terms a "poetics of outside"-focusing squarely on experiences beyond the self-regarding self. As Nichols states, these poets may well "represent the last moment in recent cultural history when a serious poet could write from perception or pursue a visionary poetics without irony or quotation marks and expect serious intellectual attention.".

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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