Cover -- Title Page -- Copyright page -- Table of Contents -- General Edittor's Preface -- Introduction -- Henry James and the English Review -- Ford as Editor in Joseph Conrad's 'The Planter of Malata' -- A Music-Hall Double Act: Fordie and Wells's English Review -- Lawrence, Ford, Strong Readings, and Weak Nerves -- The Ferociously Odd, Mutually Beneficial Editorial Relationship of Ford and Wyndham Lewis -- 'Written at least as well as prose': Ford, Pound, and Poetry -- 'His care for living English': Ford Madox Ford and Basil Bunting -- Jean Rhys's Quartet: A Re-inscription of Ford's The Good Soldier -- 'An old man mad about writing' but hopeless with money: Ford Madox Ford and the Finances of the English Review -- 'A few inches above the moral atmosphere of these islands': The Perspectives of the English Review -- Liberalism and Modernism in the Edwardian Era: New Liberals at Ford's English Review -- The transatlantic review (1924) -- Editing the transatlantic review: Literary Magazines and the Public Sphere -- 'Wandering Yankees': The transatlantic review or How the Americans Came to Europe -- Cutting Remarks: What Went Missing from The Good Soldier -- 'A caricature of his own voice': Ford and Self-Editing in Parade's End -- Editing Ford Madox Ford's Poetry -- Contributors -- Abstracts -- Abbreviations.

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interes.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.