Seems Like Murder Here : Southern Violence and the Blues Tradition.

By: Gussow, AdamMaterial type: TextTextPublisher: Chicago : University of Chicago Press, 2002Copyright date: ©2002Description: 1 online resource (356 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780226311005Subject(s): African Americans -- Southern States -- Intellectual life | African Americans -- Southern States -- Social conditions | American literature -- African American authors -- History and criticism | Blues (Music) -- Southern States -- History | Blues (Music) in literature | Race relations in literature | Violence in literatureGenre/Form: Electronic books.Additional physical formats: Print version:: Seems Like Murder Here : Southern Violence and the Blues TraditionDDC classification: 781.643/0975 LOC classification: E185Online resources: Click to View
Contents:
Intro -- CONTENTS -- Preface -- Introduction -- 1. "I'm Tore Down:" Lynching and the Birth of a Blues Tradition -- 2. "Make My Getaway:" Southern Violence and Blues Entrepreneurship in W. C. Handy's Father of the Blues -- 3. Dis(Re)memberment Blues: narratives of abjection and redress -- 4. "Shoot Myself a Cop:" Mamie Smith's "Crazy Blues" as Social Text -- 5. Guns, Knives, and Buckets of Blood: The Predicament of Blues Culture -- 6. "The Blade Already Crying in My Flesh:" Zora Neale Hurston's Blues Narratives -- Epilogue -- Acknowledgments -- Notes -- Bibliography -- Index.
Summary: Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
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Intro -- CONTENTS -- Preface -- Introduction -- 1. "I'm Tore Down:" Lynching and the Birth of a Blues Tradition -- 2. "Make My Getaway:" Southern Violence and Blues Entrepreneurship in W. C. Handy's Father of the Blues -- 3. Dis(Re)memberment Blues: narratives of abjection and redress -- 4. "Shoot Myself a Cop:" Mamie Smith's "Crazy Blues" as Social Text -- 5. Guns, Knives, and Buckets of Blood: The Predicament of Blues Culture -- 6. "The Blade Already Crying in My Flesh:" Zora Neale Hurston's Blues Narratives -- Epilogue -- Acknowledgments -- Notes -- Bibliography -- Index.

Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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