Theatre History Studies.

By: Baker, Vanessa GContributor(s): Barile, Mary | Carney, Brian T | Chansky, Dorothy | Doyle, Brian Leahy | Harrick, Stephen | Kippola, Karl | Krasner, David | Leahey, Kristin | Justice-Malloy, RhonaMaterial type: TextTextSeries: Theatre History StudiesPublisher: Alabama : University of Alabama Press, 2007Copyright date: ©2007Description: 1 online resource (190 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780817380212Subject(s): Drama -- History and criticism | Theater -- HistoryGenre/Form: Electronic books.Additional physical formats: Print version:: Theatre History StudiesDDC classification: 792.0973 LOC classification: PN2101.T44 2007 v.27Online resources: Click to View
Contents:
Intro -- CONTENTS -- List of Illustrations -- The Copeland Opera House -- The Masculine Transformations of "Genial" John McCullough -- The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance -- The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon -- "There Was No Resisting John Canoe":Circum-Atlantic Transracial Performance -- "Talking B(l)ack": Construction of Gender and Race in the Plays of Eulalie Spence -- Employing Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre -- BOOK REVIEWS -- Stephen Bottoms, ed. The Cambridge Companion to Edward Albee and Edward Albee, Stretching My Mind -- Trav S. D., No Applause-Just Throw Money: The Book That Made Vaudeville Famous -- A. M. Gibbs, Bernard Shaw: A Life -- Coleman A. Jennings, ed., Theatre for Children: Fifteen Classical Plays -- Melanie Dawson, Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920 andCharlotte Canning, The Most American Thing in America:Circuit Chautauqua as Performance -- Julia A. Walker, Expressionism and Modernism in the American Theatre: Bodies, Voices, Words -- Daniel and Beth R. Barrett, High Drama: Colorado's Historic Theatres -- Russ McDonald, Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage -- Jill Lane, Blackface Cuba, 1840-1895 -- Billy J. Harbin, Kim Marra, and Robert A. Schanke, eds. The Gay and Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era -- Neil Blackadder, Performing Opposition: Modern Theater and the Scandalized Audience -- Brenda Murphy, The Provincetown Players and the Culture of Modernity -- David Rush, A Student Guide to Play Analysis.
Felicia Hardison Londré, Words at Play: Creative Writing and Dramaturgy -- Books Received -- Contributors.
Summary: Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
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Intro -- CONTENTS -- List of Illustrations -- The Copeland Opera House -- The Masculine Transformations of "Genial" John McCullough -- The Master and the Mademoiselle: Gender Secrets in Plain Sight in Antebellum Performance -- The Diasporic Imagination: Introduction to Essays by Peter Reed, Adrienne C. Macki, and Christina S. McMahon -- "There Was No Resisting John Canoe":Circum-Atlantic Transracial Performance -- "Talking B(l)ack": Construction of Gender and Race in the Plays of Eulalie Spence -- Employing Diaspora: Ambivalence and Utopia in Contemporary Cape Verdean Theatre -- BOOK REVIEWS -- Stephen Bottoms, ed. The Cambridge Companion to Edward Albee and Edward Albee, Stretching My Mind -- Trav S. D., No Applause-Just Throw Money: The Book That Made Vaudeville Famous -- A. M. Gibbs, Bernard Shaw: A Life -- Coleman A. Jennings, ed., Theatre for Children: Fifteen Classical Plays -- Melanie Dawson, Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920 andCharlotte Canning, The Most American Thing in America:Circuit Chautauqua as Performance -- Julia A. Walker, Expressionism and Modernism in the American Theatre: Bodies, Voices, Words -- Daniel and Beth R. Barrett, High Drama: Colorado's Historic Theatres -- Russ McDonald, Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage -- Jill Lane, Blackface Cuba, 1840-1895 -- Billy J. Harbin, Kim Marra, and Robert A. Schanke, eds. The Gay and Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era -- Neil Blackadder, Performing Opposition: Modern Theater and the Scandalized Audience -- Brenda Murphy, The Provincetown Players and the Culture of Modernity -- David Rush, A Student Guide to Play Analysis.

Felicia Hardison Londré, Words at Play: Creative Writing and Dramaturgy -- Books Received -- Contributors.

Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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