Deleuze, Cinema and National Identity : Narrative Time in National Contexts.

By: Martin-Jones, DavidMaterial type: TextTextPublisher: Edinburgh : Edinburgh University Press, 2006Copyright date: ©2006Description: 1 online resource (257 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780748626625Subject(s): Deleuze, Gilles, -- 1925-1995 | Motion pictures -- Aesthetics | Motion pictures -- Philosophy | Nationalism in motion picturesGenre/Form: Electronic books.Additional physical formats: Print version:: Deleuze, Cinema and National Identity : Narrative Time in National ContextsDDC classification: 791.4301 LOC classification: PN1995 -- .M36 2006ebOnline resources: Click to View
Contents:
Intro -- Contents -- Illustrations -- Acknowledgements -- Part I Deleuze and Narrative Time -- CHAPTER 1 History -- CHAPTER 2 Memory -- Part II Movement-/Time-Image Films -- CHAPTER 3 National Identity in the Global City -- CHAPTER 4 American Triumphalism and the First Gulf War -- CHAPTER 5 Renegotiating the National Past after 9/11 -- CHAPTER 6 The Pacific Rim -- Conclusion: Blind Chance and Possible Futures -- Select Bibliography -- Select Filmography -- Index.
Summary: This book challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes), and include Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos and Peppermint Candy. Each film is examined in light of a major historical event - including 9/11, German reunification, and the Asian economic crisis - and the impact it has had on individual nations. This cross-cultural approach illustrates how Deleuze's work can enhance our understanding of the construction of national identity. It also enables a critique of Deleuze's conclusions by examining his work in a variety of national contexts.
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Intro -- Contents -- Illustrations -- Acknowledgements -- Part I Deleuze and Narrative Time -- CHAPTER 1 History -- CHAPTER 2 Memory -- Part II Movement-/Time-Image Films -- CHAPTER 3 National Identity in the Global City -- CHAPTER 4 American Triumphalism and the First Gulf War -- CHAPTER 5 Renegotiating the National Past after 9/11 -- CHAPTER 6 The Pacific Rim -- Conclusion: Blind Chance and Possible Futures -- Select Bibliography -- Select Filmography -- Index.

This book challenges the traditional use of Deleuze's philosophy to examine European art cinema. It explores how Deleuze can be used to analyse national identity across a range of different cinemas. Focusing on narrative time it combines a Deleuzean approach with a vast range of non-traditional material. The films discussed are contemporary and popular (either financial or cult successes), and include Eternal Sunshine of the Spotless Mind, Terminator 3, Memento, Saving Private Ryan, Run Lola Run, Sliding Doors, Chaos and Peppermint Candy. Each film is examined in light of a major historical event - including 9/11, German reunification, and the Asian economic crisis - and the impact it has had on individual nations. This cross-cultural approach illustrates how Deleuze's work can enhance our understanding of the construction of national identity. It also enables a critique of Deleuze's conclusions by examining his work in a variety of national contexts.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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