Seeing Double : Intercultural Poetics in Ptolemaic Alexandria.

By: Stephens, Susan AMaterial type: TextTextSeries: Hellenistic Culture and Society SerPublisher: Berkerley : University of California Press, 2003Copyright date: ©2003Edition: 1st edDescription: 1 online resource (317 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9780520927384Subject(s): History and criticismGenre/Form: Electronic books.Additional physical formats: Print version:: Seeing Double : Intercultural Poetics in Ptolemaic AlexandriaDDC classification: 881/.09932 LOC classification: 2002007570Online resources: Click to View
Contents:
Cover -- Contents -- List of Illustrations -- Preface -- List of Abbreviations -- Introduction -- 1. Conceptualizing Egypt -- 2. Callimachean Theogonies -- 3. Theocritean Regencies -- 4. Apollonian Cosmologies -- 5. The Two Lands -- Select Bibliography -- Passages Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z.
Summary: When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively. The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context--within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"--no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.
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Cover -- Contents -- List of Illustrations -- Preface -- List of Abbreviations -- Introduction -- 1. Conceptualizing Egypt -- 2. Callimachean Theogonies -- 3. Theocritean Regencies -- 4. Apollonian Cosmologies -- 5. The Two Lands -- Select Bibliography -- Passages Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z.

When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively. The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context--within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"--no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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