Making Gender, Culture, and the Self in the Fiction of Samuel Richardson : The Novel Individual.

By: Latimer, BonnieContributor(s): Lynch, Professor Jack | Jenkins, Professor Eugenia ZuroskiMaterial type: TextTextSeries: British Literature in Context in the Long Eighteenth Century SerPublisher: Farnham : Routledge, 2013Copyright date: ©2013Description: 1 online resource (228 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9781409446330Subject(s): Gender identity in literature | Richardson, Samuel, -- 1689-1761 -- Criticism and interpretationGenre/Form: Electronic books.Additional physical formats: Print version:: Making Gender, Culture, and the Self in the Fiction of Samuel Richardson : The Novel IndividualDDC classification: 823/.6 LOC classification: PR3667 -- .L38 2012ebOnline resources: Click to View
Contents:
Cover -- Contents -- List of Abbreviations -- Acknowledgements -- Introduction Pigtails and Pope's Poetry -- 1 The Modern Individual -- 2 The Manhood of the Mind -- 3 The Moral Economy -- 4 The Practice of Piety -- 5 The Intimate Contract -- Afterword -- Bibliography -- Index.
Summary: Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Bonnie Latimer shows that Richardson's heroines are uniquely conceived as individuals who embody the agency and self-determination implied by that term. In addition to placing Richardson within the context of his own culture, recouping for contemporary readers the influence of Grandison on later writers, including Maria Edgeworth, Sarah Scott, and Mary Wollstonecraft, is central to her study. Latimer argues that Grandison has been unfairly marginalised in favor of Clarissa and Pamela, and suggests that a rigorous rereading of the novel not only provides a basis for reassessing significant aspects of Richardson's fictional oeuvre, but also has implications for fresh thinking about the eighteenth-century novel. Latimer's study is not a specialist study of Grandison but rather a reconsideration of Richardson's novelistic canon that places Grandison at its centre as Richardson's final word on his re-envisioning of the gendered self.
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Cover -- Contents -- List of Abbreviations -- Acknowledgements -- Introduction Pigtails and Pope's Poetry -- 1 The Modern Individual -- 2 The Manhood of the Mind -- 3 The Moral Economy -- 4 The Practice of Piety -- 5 The Intimate Contract -- Afterword -- Bibliography -- Index.

Proposing that Samuel Richardson's novels were crucial for the construction of female individuality in the mid-eighteenth century, Bonnie Latimer shows that Richardson's heroines are uniquely conceived as individuals who embody the agency and self-determination implied by that term. In addition to placing Richardson within the context of his own culture, recouping for contemporary readers the influence of Grandison on later writers, including Maria Edgeworth, Sarah Scott, and Mary Wollstonecraft, is central to her study. Latimer argues that Grandison has been unfairly marginalised in favor of Clarissa and Pamela, and suggests that a rigorous rereading of the novel not only provides a basis for reassessing significant aspects of Richardson's fictional oeuvre, but also has implications for fresh thinking about the eighteenth-century novel. Latimer's study is not a specialist study of Grandison but rather a reconsideration of Richardson's novelistic canon that places Grandison at its centre as Richardson's final word on his re-envisioning of the gendered self.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2018. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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